The Mysteries of Paris (French: Les Mystères de Paris) is a novel by the French writer Eugène Sue which was published serially in Journal des débats from 19 June 1842 until 15 October 1843. The Mysteries of Paris singlehandedly increased the circulation of Journal des débats. It is an example of the "City mysteries" genre.
There has been lots of talk on the origins of the French novel of the 19th century: Stendhal, Balzac, Dumas, Gautier, Sand or Hugo. One often forgets Eugène Sue. Still, The Mysteries of Paris occupies a unique space in the birth of this literary genre: it entranced thousands of readers for more than a year (even illiterates who had episodes read to them) and was also a major work in the formation of a certain form of social consciousness. One often hears that the 1848 revolution was partly born in the pages of the Mysteries of Paris or, more appropriately, that the Mysteries of Paris helped create a climate which allowed the 1848 revolution to occur.
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The hero of the novel is the mysterious and distinguished Rodolphe, who is really the Grand Duke of Gérolstein (a fictional country) but is disguised as a Parisian worker. Rodolphe can speak in argot, is extremely strong and a good fighter. Yet he also shows great compassion for the lower classes, good judgment, and a brilliant mind. He can navigate all layers of society in order to understand their problems, and to understand how the different social classes are linked.
Rodolphe is accompanied by his friends Sir Walter Murph, an Englishman, and David, a gifted black doctor, formerly a slave.
The first figures they meet are Le Chourineur and La Goualeuse. Rodolphe saves La Goualeuse from Le Chourineur's brutality, and saves Le Chourineur from himself, knowing that the man still has some good in him. La Goualeuse is a prostitute, and Le Chourineur is a former butcher who has served 15 years in prison for murder. Both characters are grateful for Rodolphe's assistance, as are many other characters in the novel.
Though Rodolphe is described as a flawless man, Sue otherwise depicts the Parisian nobility as deaf to the misfortunes of the common people and focused on meaningless intrigues. For this reason, some, such as Dumas, have considered the novel's ending a failure. Rodolphe goes back to Gérolstein to take on the role to which he was destined by birth, rather than staying in Paris to help the lower classes.
The novel was made into a feature film several times, most notably in 1962 as Les Mystères de Paris, a French film by André Hunebelle, starring Jean Marais.
Numerous novels inspired by The Mysteries of Paris were published all over the Western world, creating the City mysteries genre: The Mysteries of Pittsburgh by Michael Chabon, Les Mystères de Marseille by Émile Zola, The Mysteries of London by George W. M. Reynolds, Les Mystères de Londres by Paul Féval, Les Mystères de Lyon (featuring the Nyctalope) by Jean de La Hire, I misteri di Napoli by Francesco Mastriani, the Mystères de Munich, Les Nouveaux Mystères de Paris (featuring Nestor Burma) by Léo Malet.